I
have mixed feelings about this novel. But first, let me give you a
synopsis of the plot. Eloisa is the daughter of the wealthy Carstairs
of Chicago. In the first novel of this series, Eloise was sexually
assaulted. She still has nightmares of the attack, even though the
man has drowned. While at a society event, Eloisa meets Detective
Sean Ryan, part of the police presence to protect women from a
slasher who has been attacking beautiful women and scarring them. An
unlikely romance begins to develop.
The
strength of this novel, I think, is in pointing out the great gap
between those in the wealthy society of 1890s Chicago and those of
the common class. Eloise is of the former while Sean is from the
latter. This gap and the snootiness of the wealthy is very clearly
pointed out. Also a strong point of the novel is the exploration of
what makes a woman beautiful (inside verses outside). Parallel to
that concept is Eloise's feeling that she is not fit for any man,
since she had been violated. Her finding self worth again is a
struggle she experiences throughout the novel.
The
novel was lacking, I think, in setting the external stage for its
story. It takes place during the Chicago World's Fair but there is
actually very little about the fair in the book. When an author is
writing a historical novel, adequate description is essential. That
was missing. For me, the action just floated and was never grounded
in well described places. There was dialog in ballrooms and sitting
salons, the locations seeming the same. Part of the novel takes place
in the poor section of Chicago but I could never really visualize it.
The
romance seemed a bit simple to me. A good romance involves some
insurmountable obstacle the two must overcome. One might have
expected that to be the gap in society between Eloise and Sean, but
it never seemed to really come between them. With a few fits and
starts, their romance progressed predictably.
The
“mystery” aspect of the novel was almost nonexistent. The action
requiring police intervention all happened off scene, until the very
end. It almost seemed as a side issue, the romance taking center
stage by far. I wish there had been a little more about the police
procedure of the time too. Sean and Owen spent weeks, months on the
case, but there was very little about what they did.
I
thought a few of the characters were great. Sean's younger sister
Katie was a kick. She was a little ball of fire. Eloise's maid was
charming. What a delightful young woman, caring so much for Eloise's
well being, drawing her out for emotional healing. Eloise and Sean
seemed a little flat to me. Owen, the wealthy son who became a
policeman, seemed like a nice fellow but really lacked a
characteristic personality.
I
would recommend this novel to those who really like a romance that
emphasizes the class distinctions as seen in Chicago in the 1890s.
Shelly
Gray is a New York Times and USA Today bestselling
author, a finalist for the American Christian Fiction Writers' Carol
Award, and two-time HOLT Medallion winner. She lives in southern
Ohio, where she writes full time. You can find out more at www.shelleyshepardgray.com.
Zondervan,
328 pages.
I
received a complimentary copy of this book from the publisher for the
purpose of an independent and honest review.
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