Seven
years ago Kallie woke up in a New York museum, injured and with no
memory of who she was. She had been discovered by Judith, the museum
curator, who had named her Kallista, the ancient Greek name for the
island of Santorini. She had added the last name of Andreas for the
family whose charitable contributions over the decades had funded the
museum's Greek projects. Judith had been a mentor to Kallie, seeing
to her physical healing, her education, and then her job as assistant
curator.
But
all is not well with Kallie. She has been experiencing blackouts,
leaving her with lost time. She has also been having visions of
another time and place. Her psychiatrist asks her to write down her
visions and an ancient story begins to unfold.
Kallie
is pursuing funding for her project, assembling a collection of
pieces from the ancient Minoans. Her position at the museum is
threatened when she botches a public relations event. The only good
thing from that event was meeting Dimitri Andreas, heir to the vast
family fortune. When Kallie is fired, she reluctantly agrees to work
for Dimitri and debarks on a journey to find an artifact on the black
market that is supposed to be the key to the lost Minoan language.
The
journey soon turns very dangerous and Dimitri joins her and the two
embark on a global quest, pursuing leads. Danger abounds as someone
is determined to see that their quest fails. Kallie still has the
visions and they have turned violent. Her reality becomes fuzzy as
ancient violence invades her present life.
Review:
This
is a very interesting novel. I've not read anything close to this
innovative plot line before. It took me a while to get into the book
but about half way through, I was hooked. The novel is a unique
combination of fantasy and present day. After the initial one third,
or so, of the novel, there is exciting action that continues to the
end.
The
character development is a little different as, through most of the
novel, Kallie does not know who she is, so we have no real character
development. There were times when Kallie exhibited skills, such as
defensive moves, that didn't make sense at the time. In the end,
however, it did make sense. One has to read all the way to the end to
understand the rest of the book.
I
was surprised and pleased to see hints of the gospel in the fantasy
part of the novel. There is only one way to find the truth. To find
freedom one must follow the scarlet thread, so to speak. There is
also the whole idea of a message of salvation from impending doom.
Those
who like fantasy will like this book. Those who like contemporary
novels set in unusual places and with unusual plots will also like
it. The plot has been well crafted but one must read to the end to
appreciate its deftly interwoven nature. You'll learn some
interesting history of the islands off Greece's mainland too.
You can watch a book trailer here.
Tracy
Higley began writing her first novel at age eight and has been
writing ever since. She received a BA in English Literature from
Rowan University and then spent ten years writing drama presentations
for church ministry. A lifelong interest in history and mythology has
led her to extensive research into ancient Greece and shaped her
desire to shine the light of the gospel into the cultures of the
past. Find out more at http://tracyhigley.com/.
Stonewater
Press, 366 pages.
I
received a complimentary digital copy of this novel through The Book
Club Network for the purpose of an independent and honest review.
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